Buddy Guy Still Ain’t Done with the Blues

For Buddy Guy—staunch defender and lifelong ambassador of the blues—there’s nothing more important than keeping the genre alive and relevant. It comes naturally. After all, Guy is one of America’s greatest guitarists, a singular artist with a devoted roster of A-list admirers: Eric Clapton, Jimmy Page, and Gary Clark Jr., to name a few.

The list doesn’t stop with musicians. Visionary filmmaker Ryan Coogler tapped Guy for his critically acclaimed 2025 film Sinners, and Guy’s latest album, Ain’t Done with the Blues, features collaborations with icons like Peter Frampton and the Eagles’ Joe Walsh. The album is set to release Wednesday—on Guy’s 89th birthday.

Despite the accolades—including eight Grammy Awards—Guy’s focus isn’t on recognition. It’s on preserving the music that shaped his life.

“Like I promised B.B. King, Muddy Waters, and all of them,” he told The Associated Press in a phone interview, “I do the best I can to keep the blues alive.”

He worries that blues music is being sidelined by mainstream radio, and that younger generations may never connect with its richness. That concern is a driving force behind Ain’t Done with the Blues, a powerful collection of blues standards at risk of being forgotten—like the album’s closer, Talk to Your Daughter, a stirring rendition of the J.B. Lenoir classic.

In Guy’s hands, the blues become universal.

“Blues is based on everyday life,” he explains. “A good time or a bad time.”

Or, as he puts it another way:

“Music is like a bowl of real good gumbo. They got all kinds of meat in there. You got chicken, you got sausage, you got seafood… When we play music, we put everything in there.”

A Blues Resurgence

The message is resonating.

According to Luminate, a music data and analytics firm, U.S. on-demand audio streams of blues music have surged in 2025, largely thanks to the success of Sinners. Jaime Marconette, Luminate’s vice president of music insights, described the current moment as a “resurgence” of the blues.

“Several artists featured on the film’s soundtrack saw major spikes in streaming the week of the film’s release,” Marconette said. “And they’ve continued to grow in listenership months later.”

Buddy Guy has noticed the shift firsthand.

“I walk into the grocery store or the drugstore, and people recognize me. ‘Man, you know I heard that Sinners music. It sounds good,’” he says. “They ain’t never gonna come in and say they heard it on the radio.”

That’s one reason Guy agreed to be involved in the film. He’s hoping the exposure will reintroduce blues music to a younger audience.

“My worry right now is, like I said, a young person don’t know how good a gumbo is—you’ve got to taste it.”

As for his new album? He’s excited for people to hear it—but he won’t be listening.

“I listen to everything but Buddy Guy,” he laughs. “I already know Buddy Guy. I can’t learn anything from that.”

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